All to often in the hussle and bustle of our everyday train, we spend and dedicate so much time to rushing. Faster and faster perpetual motion, juggling demands and trying often struggling to fit into the ”schedule” all we ”have to do”. There are many articles on Harmonics and vibration, thesis’s, papers, techniques and technical scientific research into the subject so I wanted to approach this from a subtle perspective. A flowing one, like a gentle memory. This piece is more about a perspective on listening and sound, and not so much on the specifics and techniques of my approach or any to achieving that – I will save that for subsequent articles on the matter.
Just like there is always more to learn about life, there is infinite learning and observation through sound. That delicate straddling of the micro/macro-cosm, the harmonious dance through existence and beyond.
The thing I like about zooming out or in is its simplifying. Expand out far enough and you’ll get so big you become the smallest or notice it simply, zoom in enough and you will see the large picture simply. That’s not of course to say we wont notice anything or that degree of scope by only performing these two infinite actions, but I find it to be a gentle way to straddle the balance of all there is sometimes.
”There is no object so large but that at a great distance from the eye it does not appear smaller than a smaller object near”. Leonardo da Vinci
Have you ever sat on the grass face-down and looked at the ground, or gazed into a pond ? When you took the time out of your-sized world, and observed you probably were amazed and blown away by how much motion, movement how much life is present that had you not slowed down, stopped and taken the time to notice you would have missed out on all this oneness. All the creatures, beings and therefore energies flowing all around you that you just hadn’t noticed until you focused your gaze. It is one and the same of course with sound. Since all is in a state of vibration this also means the sound of and from this life and all there is is constantly flowing around us.
I can remember as a child putting my ear to the ground and hearing the life, the busy noises of the living earth. That’s what I love about our world so much- its such a noisy, living breathing circle spinning through space. The joy of that discovery of noticing something magical beautiful that was there all along- like a full-stop. and comma all along. So it doesn’t matter if your interested in deep explorations of Sound or just want to hear the beauty of the world in finer greater detail, or perhaps just improve your communications with friends and family, or in my case all of the above – we can hear the fruits in-store for us 🙂
Leaving aside the literal details and precise religious meanings, here in this space I see David & Goliath as polarities, two aspects of ourselves that instead of fighting, and killing each other, they are working as one unit – the small and the Large, the inner and outer worlds all part of the great Spiral. So we interviewed them to bring forward their understanding on subtle sound-work. David revealed to us the small micro-view, the essence of the reduced picture of simplicity- the ears as the eyes focused on the bindu point of perception. ” I find as im walking around, it helpful to think and feel the smaller things, you know right down to the tiniest rock, the tiniest smallness that we can find. When we synchronise the thought with the feeling with the ears, then we can develop our listening to the finer harmonics, the subtleness the suppleness of vibration” he said, Goliath nodded and stroked his elongated beard of massiveness adding ” Yes David, I agree – eye for one, tend to see things as the big picture- the hugeness of all and nothing, the great expanse of possibility and the nobility of its infinite refraction’s”. So here we have little and large agreeing on the same thing. David had one more thing to add with a beaming smile across his face before the close of this precious exchange ” we came here to fight and oppose each-other, me with my slings of outrageously placed and incorrectly perceived victimisation, and he with his loomingly massive bullying spear- but as we approached one another we realised there was no opposition – or need to fight. Here we realised there was a bridge in between, that spans the space between the space- here we can find our listening spot. The Sweet spot.
So using our imagination we can cast a illuminating view on where we choose, where we imagine to see and hear- like the hear-see. In an infinite ocean of sound waves in which we constantly swim, we can direct our sonar listening devices. We hear below and above and everywhere, like the all in all.
We are the collaborators, the dreamers the audience and performers of the Synphonia Universalis. This is what David & Goliath wanted to share with us, to remember our participation as listeners to the subtle energy, the subtle ripples of harmony. The way the ears can lead the mind. The word harmony stems from the ancient greek word – Harmos meaning joint. The twain the two as one joint, the process toward and encompassing connected listening, as one limb of awareness.
Beautiful short animated film by artist and Director Olga Guse. Androgyne is a symbol of man born physically or mentally between the two sexes. Throughout his life, he is torn between male and female, Adam and Eve inside and outside. Her film features our song from the debut album ”Devoured by the Comfort Zone”- Healing Transformation. We encourage you to check out and discover her work.
Screenings of her film still set for 2017 :
Luan Gallery exhibition
17th October – 11th December 2017,
Southwark LGBT Network art exhibition
A simple Song-Prayer to wish inspiration and ideas for all beings. We look for and find so many differing and inventive ways to be inspired, and sometimes we forget that the notion of inspiration and the breath itself is enough for us to find and follow our song of life.
All traditional cultures have some personification of the Divine Healer or miracle working physician. The ancient Greeks had Asclepius, the god of medicine.
In Homer’s Iliad, Asclepius was a man, a physician to soldiers wounded on the battlefield at Troy. But by Hippocrates’ day, he had become elevated to the status of a god.
Actually, Asclepius was a demigod, born of a divine father,Apollo, and a mortal mother, Coronis. While pregnant with Asclepius, Coronis fell in love with a mortal man and married him. This so angered Apollo that he struck both Coronis and her husband dead. As Coronis’ body lay burning on the funeral pyre, Apollo performed the first Caesarian section, freeing the baby Asclepius from his mother’s womb and certain death. And so, Asclepius’ very birth was due to a heroic act of medical intervention.
Apollo then took the infant to be raised by the wise old centaur Chiron, who taught him the art of healing. Asclepius became a great physician and surgeon, and raised the art of medicine to unprecedented heights.
The goddess Athena gave Asclepius the gift of Medusa’s blood. The blood from the veins on the left side of Medusa’s head was for the bane of mankind, but Asclepius used the blood from the veins on the right side for saving mankind and for raising the dead.
Asclepius’ raising of the dead aroused the wrath of Zeus. Not only was Zeus angered to see many of his old enemies, whom he had struck dead with his thunderbolts, returning to life, but his brother Hades, king of the underworld, was complaining about the dearth of new arrivals. And so, Zeus struck Asclepius dead with one of his thunderbolts, fearing the spread of his miraculous art of healing, especially into the wrong hands.
Despite the rumors of his death, Asclepius became a living god. Healing sanctuaries, or Asclepions, were dedicated to him at sacred sites throughout ancient Greece.
Asclepius often used the art of divination to obtain responses from his father Apollo through oracles. From these auguries he learned much about the natures of many drugs and herbs, and how to use them in treating disease. This knowledge he passed on to his sons, and to his students.
Asclepius is the personification of the miracle working physician of consummate medical skill. This powerful archetype is still invoked today by many patients, desperately praying for their doctor to work them a medical miracle, to snatch life from the jaws of death. Many people place a powerful, almost religious faith in their doctors.
While placing a supernatural, blind faith in medicine and physicians, most men actually know very little about life and death, and what they really are. On the whole, their approach to both is rather cursory and superficial. Many men waste their lives away while fearing death, without properly investigating either of them.Asclepius’ demise at the hands of Zeus shows the ultimate powerlessness of man against the natural order and the forces of decay, destruction, and death. Even the most skillful physician cannot hold death off indefinitely, and in the end, the grim reaper always claims his due.
ASKLEPIOS (Asclepius) was the god of medicine. He was also the patron god, and reputed ancestor, of the Asklepiades (Asclepiades), the ancient guild of doctors.
Asklepios was the son of Apollon and the Trikkaian (Triccaean) princess Koronis (Coronis). His mother died in labour and when she was laid out on the pyre, Apollon cut the unborn child from her womb. From this Asklepios received his name which means “to cut open.” Asklepios was raised by the centaur Kheiron (Chiron) who instructed him in the art of medicine. He grew so skilled in the craft that he was able to restore the dead to life. This was a crime against the natural order and so Zeus destroyed him with a thunderbolt.
After his death Asklepios was placed amongst the stars as the constellation Ophiochus (“the Serpent Holder”). Some say his mother was also set in the heavens as Corvus, the crow (korônê in Greek). Asklepios’ apotheosis into godhood occurred at the same time. He was sometimes identified with Homer’s Paion (Paeon), the physician of the gods.Asklepios was depicted as a kindly, bearded man holding a serpent-entwined staff. Although he is largely absent from ancient Greek vase painting, statues of the god are quite common.
Asclepius Snake Therapy:
Asclepius symbol of healing was a snake. It is said that Asclepius arrived once, in his temples of worship, transformed into a snake. The Asklepios name has not yet interpreted, but it is likely to be associated with the snake. In Greek language “Ασκλ” produced by Ασκάλαβο, meaning snake, lizard, reptile. In many myths of Asclepius a snake kisses the patient and than the patient healed.
Example from the Greek mythology: A patient, with a bad wound on his toe, moved by Asclepius assistants in to the temple and than slept. While a little awake, the patient saw the sacred snake to coming out from a sacred place and licking his wound. After an hour he woke up healthy.
Today science can give as a lot of clues about how the snake venom can used as an alternetive medicine for many diseases. Modern research supports the idea that a snake poison neurotoxins and hemotoxins may have a lot of health benefits and can be used to create drugs that can treat heart disease, alzheimer’s and memory loss.
So how the ancient Greeks adjust the venom in the first place? Amazingly they may have drank it. Evidence have shown that the Ancient Greeks may have discovered the healing powers of the snake venom long before we did!
Asclepius Dream Healing:
Ancient Greeks gave special importance to sleep, that’s because of the dream mystical powers and therapeutic properties. Therapeutic sleepiness practiced in Asclepius treatment centers. It was a ritual practice, the patient had to sleep in a sacred place in order to receive a revealing dream for therapeutic purposes. After a physical and mental cleansing process, the patient must sleep in the sacred place and seeking a revealing dream, a meeting with the Divine inside the dream for wellness and healing.
In preparation were other parts like, special diets, fasting, bathing, musical events, gym, massage, inhaling fumes (probably psychotropic substances) and conversations with the monks and doctors of Asklepios. Patients drank tea from herbs and other therapeutic mixtures, and indeed, as mentioned, sometimes the sick become well with this process, without even having to continue and sleep. After the teas, the patient had to stand in the Sacred Fountain. The water of the fountain was used for body cleansing and symbolic psychic purification. Religious tests also take part to strengthen patient faith and soul, so can be ready to approach the Divine.
AESCULA′PIUS (Asklêpios), the god of the medical art. In the Homeric poems Aesculapius does not appear to be considered as a divinity, but merely as a human being, which is indicated by the adjective amumôn, which is never given to a god. No allusion is made to his descent, and he is merely mentioned as the iêtêr amumôn, and the father of Machaon and Podaleirius. (Il. ii. 731, iv. 194, xi. 518.) From the fact that Homer (Od. iv. 232) calls all those who practise the healing art descendants of Paeëon, and that Podaleirius and Machaon are called the sons of Aesculapius, it has been inferred, that Aesculapius and Paeëon are the same being, and consequently a divinity. But wherever Homer mentions the healing god, it is always Paeëon, and never Aesculapius; and as in the poet’s opinion all physicians were descended from Paeëon, he probably considered Aesculapius in the same light. This supposition is corroborated by the fact, that in later times Paeëon was identified with Apollo, and that Aesculapius is universally described as a descendant of Apollo. The two sons of Aesculapius in the Iliad, were the physicians in the Greek army, and are described as ruling over Tricca, Ithome, and Oechalia. (Il. ii. 729.) According to Eustathius (ad Hom. p. 330), Lapithes was a son of Apollo and Stilbe, and Aesculapius was a descendant of Lapithes. This tradition seems to be based on the same groundwork as the more common one, that Aesculapius was a son of Apollo and Coronis, the daughter of Phlegyas, who is a descendant of Lapithes. (Apollod. iii. 10. § 3; Pind. Pyth. iii. 14, with the Schol.)
The common story then goes on as follows. When Coronis was with child by Apollo, she became enamoured with Ischys, an Arcadian, and Apollo informed of this by a raven, which he had set to watch her, or, according to Pindar, by his own prophetic powers, sent his sister Artemis to kill Coronis. Artemis accordingly destroyed Coronis in her own house at Lacereia in Thessaly, on the shore of lake Baebia. (Comp. Hom. Hymn. 27. 3.) According to Ovid (Met. ii. 605, &c.) and Hyginus (Poet. Astr. ii. 40), it was Apollo himself who killed Coronis and Ischys. When the body of Coronis was to be burnt, Apollo, or, according to others (Paus. ii. 26. § 5), Hermes, saved the child (Aesculapius) from the flames, and carried it to Cheiron, who instructed the boy in the art of healing and in hunting. (Pind. Pyth. iii. 1, &c.; Apollod. iii. 10. § 3; Paus. l. c.) According to other traditions Aesculapius was born at Tricca in Thessaly (Strab. xiv. p. 647), and others again related that Coronis gave birth to him during an expedition of her father Phlegyas into Peloponnesus, in the territory of Epidaurus, and that she exposed him on mount Tittheion, which was before called Myrtion. Here he was fed by a goat and watched by a dog, until at last he was found by Aresthanas, a shepherd, who saw the boy surrounded by a lustre like that of lightning. (See a different account in Paus. viii. 25. § 6.)
From this dazzling splendour, or from his having been rescued from the flames, he was called by the Dorians aiglaêr. The truth of the tradition that Aesculapius was born in the territory of Epidaurus, and was not the son of Arsinoë, daughter of Leucippus and born in Messenia, was attested by an oracle which was consulted to decide the question. (Paus. ii. 26. § 6, iv. 3. § 2; Cic. De Nat. Deor. iii. 22, where three different Aesculapiuses are made out of the different local traditions about him.) After Aesculapius had grown up, reports spread over all countries, that he not only cured all the sick, but called the dead to life again. About the manner in which he acquired this latter power, there were two traditions in ancient times. According to the one (Apollod. l. c.), he had received from Athena the blood which had flowed from the veins of Gorgo, and the blood which had flowed from the veins of the right side of her body possessed the power of restoring the dead to life. According to the other tradition, Aesculapius on one occasion was shut up in the house of Glaucus, whom he was to cure, and while he was standing absorbed in thought, there came a serpent which twined round the staff, and which he killed. Another serpent then came carrying in its mouth a herb with which it recalled to life the one that had been killed, and Aesculapius henceforth made use of the same herb with the same effect upon men. (Hygin. Poet. Astr. ii. 14.)
Several persons, whom Aesculapius was believed to have restored to life, are mentioned by the Scholiast on Pindar (Pyth. iii. 96) and by Apollodorus. (l. c.) When he was exercising this art upon Glaucus, Zeus killed Aesculapius with a flash of lightning, as he feared lest men might gradually contrive to escape death altogether (Apollod. iii. 10. § 4), or, according to others, because Pluto had complained of Aesculapius diminishing the number of the dead too much. (Diod. iv. 71; comp. Schol. ad Pind. Pyth. iii. 102.) But, on the request of Apollo, Zeus placed Aesculapius among the stars. (Hygin. Poet. Astr. ii. 14.) Aesculapius is also said to have taken part in the expedition of the Argonauts and in the Calydonian hunt. He was married to Epione, and besides the two sons spoken of by Homer, we also find mention of the following children of his : Janiscus, Alexenor, Aratus, Hygieia, Aegle, Iaso, and Panaceia (Schol. ad Pind. Pyth. iii. 14; Paus. ii. 10. § 3, i. 34. § 2), most of whom are only personifications of the powers ascribed to their father.
These are the legends about one of the most interesting and important divinities of antiquity. Various hypotheses have been brought forward to explain the origin of his worship in Greece; and, while some consider Aesculapius to have been originally a real personage, whom tradition had connected with various marvellous stories, others have explained all the legends about him as mere personifications of certain ideas. The serpent, the perpetual symbol of Aesculapius, has given rise to the opinion, that the worship was derived from Egypt, and that Aesculapius was identical with the serpent Cnuph worshipped in Egypt, or with the Phoenician Esmun. (Euseb. Praep. Evang. i. 10; comp. Paus. vii. 23. § 6.) But it does not seem necessary to have recourse to foreign countries in order to explain the worship of this god.
His story is undoubtedly a combination of real events with the results of thoughts or ideas, which, as in so many instances in Greek mythology, are, like the former, considered as facts. The kernel, out of which the whole myth has grown, is perhaps the account we read in Homer; but gradually the sphere in which Aesculapius acted was so extended, that he became the representative or the personification of the healing powers of nature, which are naturally enough described as the son (the effects) of Helios,–Apollo, or the Sun.
Aesculapius was worshipped all over Greece, and many towns, as we have seen, claimed the honour of his birth. His temples were usually built in healthy places, on hills outside the town, and near wells which were believed to have healing powers. These temples were not only places of worship, but were frequented by great numbers of sick persons, and may therefore be compared to modern hospitals. (Plut. Quaest. Rom. p. 286, D.) The principal seat of his worship in Greece was Epidaurus, where he had a temple surrounded with an extensive grove, within which no one was allowed to die, and no woman to give birth to a child.
His sanctuary contained a magnificent statue of ivory and gold, the work of Thrasymedes, in which he was represented as a handsome and manly figure, resembling that of Zeus. (Paus. ii. 26 and 27.) He was seated on a throne, holding in one hand a staff, and with the other resting upon the head of a dragon (serpent), and by his side lay a dog. (Paus. ii. 27. § 2.) Serpents were everywhere connected with the worship of Aesculapius, probably because they were a symbol of prudence and renovation, and were believed to have the power of discovering herbs of wondrous powers, as is indicated in the story about Aesculapius and the serpents in the house of Glaucus. Serpents were further believed to be guardians of wells with salutary powers. For these reasons a peculiar kind of tame serpents, in which Epidaurus abounded, were not only kept in his temple (Paus. ii. 28. § 1), but the god himself frequently appeared in the form of a serpent. (Paus. iii. 23. § 4; Val. Max. i. 8. § 2; Liv. Epit. 11; compare the account of Alexander Pseudomantis in Lucian.) Besides the temple of Epidaurus, whence the worship of the god was transplanted to various other parts of the ancient world, we may mention those of Tricca (Strab. ix. p. 437), Celaenae (xiii. p. 603), between Dyme and Patrae (viii. p. 386), near Cyllene (viii. p. 337), in the island of Cos (xiii. p. 657; Paus. iii. 23. § 4), at Gerenia (Strab. viii. p. 360), near Caus in Arcadia (Steph. Byz. s. v.), at Sicyon (Paus. ii. 10. § 2), at Athens (i. 21. § 7), near Patrae (vii. 21. § 6), at Titane in the territory of Sicyon (vii. 23. § 6), at Thelpusa (viii. 25. § 3), in Messene (iv. 31. § 8), at Phlius (ii. 13. § 3), Argos (ii. 23. § 4), Aegium (ii. 23. § 5), Pellene (vii. 27. § 5), Asopus (iii. 22. § 7), Pergamum (iii. 26. § 7), Lebene in Crete, Smyrna, Balagrae (ii. 26. § 7), Ambracia (Liv. xxxviii. 5), at Rome and other places.
At Rome the worship of Aesculapius was introduced from Epidaurus at the command of the Delphic oracle or of the Sibylline books, in B. C. 293, for the purpose of averting a pestilence. Respecting the miraculous manner in which this was effected see Valerius Maximus (i. 8. § 2), and Ovid. Met. xv. 620, &c.; comp. Niebuhr, Hist. of Rome, iii. p. 408, &c.; Liv. x. 47, xxix. 11; Suet. Claud. 25.)
The sick, who visited the temples of Aesculapius, had usually to spend one or more nights in his sanctuary (katheudein, ineubare, Paus. ii. 27 § 2), during which they observed certain rules prescribed by the priests. The god then usually revealed the remedies for the disease in a dream. (Aristoph. Plut. 662, &c.; Cic. De Div. ii. 59 ; Philostr. Vita Apollon. i. 7; Jambl. De Myst. iii. 2.) It was in allusion to this incubatio that many temples of Aesculapius contained statues representing Sleep and Dream. (Paus. ii. 10. § 2.)
Those whom the god cured of their disease offered a sacrifice to him, generally a cock (Plat. Phacd. p. 118) or a goat (Paus. x. 32. § 8; Serv. ad Virg. Georg. ii. 380), and hung up in his temple a tablet recording the name of the sick, the disease, and the manner in which the cure had been effected. The temples of Epidaurus, Tricca, and Cos, were full of such votive tablets, and several of them are still extant. (Paus. ii. 27. § 3; Strab. viii. p. 374; comp. Dict. of Ant. p. 673.) Respecting the festivals celebrated in honour of Aesculapius see Dict. of Ant. p. 103. &c. The various surnames given to the god partly describe him as the healing or saving god, and are partly derived from the places in which he was worshipped. Some of his statues are described by Pausanias. (ii. 10. § 3, x. 32. § 8.) Besides the attributes mentioned in the description of his statue at Epidaurus, he is sometimes represented holding in one hand a phial, and in the other a stalf; sometimes also a boy is represented standing by his side, who is the genius of recovery, and is called Telesphorus, Euamerion, or Acesius. (Paus. ii. 11. § 7.) We still possess a considerable number of marble statues and busts of Aesculapius, as well as many representations on coins and gems. There were in antiquity two works which went under the name of Aesculapius, which, however, were no more genuine than the works ascribed to Orpheus. (Fabricius, Bibl. Graec. i. p. 55, &c.)
The descendants of Aesculapius were called by the patronymic name Asclepiadae. (Asklêpiadai.) Those writers, who consider Aesculapius as a real personage, must regard the Asclepiadae as his real descendants, to whom he transmitted his medical knowledge, and whose principal seats were Cos and Cnidus. (Plat. de Re Publ. iii. p. 405, &c.) But the Asclepiadae were also regarded as an order or caste of priests, and for a long period the practice of medicine was intimately connected with religion. The knowledge of medicine was regarded as a sacred secret, which was transmitted from father to son in the families of the Asclepiadae, and we still possess the oath which every one was obliged to take when he was put in possession of the medical secrets. (Galen, Anat. ii. p. 128 Aristid. Orat. i. p. 80.)
From the Dawn of time the Aura has been talked about and named by many cultures. John White and Stanley Krippner, authors of Future Science, list ninety-seven different cultures that reference the human aura, each culture calling it by a different name. 97 cultures around the Globe have their own name for this. From the Jewish Faith, Islam, Hindu and Christian religions, Buddhist and countless tribal and Shamanic cultures all talk and visualise light. A Halo, a corona, a light body. When this takes place and is so commonplace there has to be a reason even if science has not managed to catch up just yet. But the good news it is, and fast.
There are many human energy fields. These include the physically measurable electromagnetic and magnetic fields generated by all living cells, tissues, and organs, and the body as a whole. But there are also biofields—subtle or putative fields emanating from these pulsing units of life— as well as our subtle energy bodies, channels, and aspects of self. Here are brief descriptions of the most important human biofields.
The layers of the auric field, as described by barbara ann brennan and according to the twelve-chakra system.
It has long been known that activities of cells and tissues generate electrical fields that can be detected on the skin surface. But the laws of physics demand that any electrical current generates a corresponding magnetic field in the surrounding space. Since these fields were too tiny to detect, biologists assumed they could have no physiological significance. This picture began to change in 1963.
Science has been actively involved in penetrating the mystery of the aura since the early 1800s. During that time period, Belgian mystic and physician Jan Baptist van Helmont visualized it as a universal fluid that permeates everything. The idea of the aura acting like a fluid—or flowing—as well as being permeable has remained consistent throughout history. Franz Mesmer, for whom the term “mesmerism” was coined, suggested that both animate and inanimate objects were charged with a fluid, which he perceived as magnetic, through which material bodies could exert influence over each other, even at a distance. Baron Wilhelm von Reichenbach discovered several properties unique to this human energy field, which he called the odic force, and would later be ascribed to the subtle body.
He determined that it shared similar properties to the electromagnetic field, which had previously been investigated by James Clerk Maxwell, one of the fathers of electricity. The odic human energy field was composed of polarities or opposites, as is the electromagnetic field. In electromagnetism, however, opposites attract. Not so in the odic field, where like attracts like.
Reichenbach also found that the human energy field related to different colors and that it could not only carry a charge, but also flow around objects. He described the field on the left side of the body as a negative pole and the right side as a positive pole, similar to the ideas of Chinese medicine.
These and other theories have revealed the aura to have a fluid or flowing state; to be comprised of different colors, therefore frequencies; to be permeable and penetrable; and to be magnetic in nature, although it also has electromagnetic properties.
Other research has underscored these subtle body theories and expanded one additional element of the auric human energy field: its connection to the inner sanctum of the human being.
For example, in 1911 Dr. Walter Kilner examined the aura with colored filters and a special kind of coal tar. He discovered three zones: a dark layer next to the skin, a more ethereal layer flowing at a perpendicular angle to the body, and a delicate exterior with contours about six inches across. Most important, the conditions of this “aura,” as he called it, shifted in reaction to a subject’s state of mind and health. In the early part of the 1900s, Dr. Wilhelm Reich furthered our knowledge of the human energy field and its qualities through experiments studying a universal energy that he named “orgone.”
During his studies, he observed energy pulsing in the sky and surrounding all animate and inanimate objects and beings. Many metaphysicians believe that orgone is equivalent to chi or prana. He also noticed that areas of congestion could be cleared to release negative mental and emotional patterns and thus affect change. This emphasized the connections between the subtle and the physical energies as well as emotional and mental energies.
Then in the 1930s, Dr. Lawrence Bendit and Phoebe Bendit observed the human energy field and linked it to soul development, showing that the subtle forces are the foundation of health. Their observations are mirrored and expanded by those of Dr. Dora Kunz, a theosophist and intuitive, who saw that every organ has its own field—as does the overall subtle body—which pulses with its own rhythm when healthy. When someone is ill, these rhythms alter, and problems can be intuitively seen in the field.
When Dr. Zheng Rongliang of Lanzhou University in China measured the flow of chi from a human body with a unique biological detector, he showed that not only does the aura pulse, but that not everyone’s human energy field pulses at the same rate or intensity. This study was repeated by researchers at the Shanghai Atomic Nuclear Institute of Academia Sinica.
Soviet scientists from the Bioinformation Institute, headed by A. S. Popow, actually measured the human energy field, or more specifically, the biocurrents manifested in the surrounding energy body. They discovered that living organisms emanate vibrations at a frequency between 300 and 2,000 nanometers. They called this field the “biofield” and discovered that people with a strong and widespread biofield can transfer energy more successfully. This research was later confirmed by the Medical Science Academy in Moscow.
A special form of photography is actually able to take pictures of the auric field. In the 1930s, Russian scientist Semyon Kirlian and his wife, Valentina, invented a new photographic process that involves directing a high-frequency electrical field at an object. The object’s pattern of luminescence—the auric human energy field—can then be captured on film. Contemporary practitioners are using Kirlian photography to show how the aura responds to different emotional and mental states, and even to diagnose illness and other problems. Medical science is now using a heat aura, as well as other imaging processes, to show the different aspects of the body’s electromagnetics.
One of the more compelling sets of studies in this area was conducted by Dr. Valerie Hunt. In A Study of Structural Neuromuscular, Energy Field, and Emotional Approaches, she recorded the frequency of low-millivoltage signals emanating from the body during Rolfing sessions. She made these recordings using electrodes of silver and silver chloride on the skin. Scientists then analyzed the wave patterns recorded with a Fourier analysis and a sonogram frequency analysis. The human energy field did, indeed, consist of a number of different color bands, which correlated to the chakras. The following results, taken from the February 1988 study, showed color-frequency correlations in hertz or cycles per second:
+ Blue 250–275 Hz plus 1,200 Hz + Green 250–475 Hz + Yellow 500–700 Hz + Orange 950–1050 Hz + Red 1,000–1,200 Hz + Violet 1,000–2,000, plus 300–400; 600–800 Hz + White 1,100–2,000 Hz
While mechanically measuring the subjects, healer and aura reader Reverend Rosalyn Bruyere provided her own input, separately recording the various colors she intuitively perceived. In all cases, her renderings were the same as those demonstrated mechanically. Hunt repeated this experiment with other psychics with the same results
Gerhard Baule and Richard McFee of the Department of Electrical Engineering, Syracuse University, Syracuse, NY detected the biomagnetic field projected from the human heart. They used two coils, each with 2 million turns of wire, connected to a sensitive amplifier.
In 1970, David Cohen of MIT, using a SQUID magnetometer, confirmed the heart measurements. By 1972, Cohen had improved the sensitivity of his instrument, enabling him to measure magnetic fields around the head produced by brain activities.
Subsequently, it has been discovered that all tissues and organs produce specific magnetic pulsations, which have come to be known as biomagnetic fields. The traditional electrical recordings, such as the electrocardiogram and electroencephalogram, are now being complemented by biomagnetic recordings, called magnetocardiograms and magnetoencephalograms. For various reasons, mapping the magnetic fields in the space around the body often provides a more accurate indication of physiology and pathology than traditional electrical measurements. These concepts were ahead of their time, but are now being confirmed in medical research laboratories around the world. Scientists are using SQUID instruments to map the ways diseases alter biomagnetic fields around the body. Others are applying pulsating magnetic fields to stimulate healing. Again, sensitive individuals have been describing these phenomena for a long time, but there was no logical explanation of how it could happen.
In the early 1980’s, Dr. John Zimmerman began a series of important studies on therapeutic touch, using a SQUID magnetometer at the University of Colorado School of Medicine in Denver. Zimmerman discovered that a huge pulsating biomagnetic field emanated from the hands of a TT practitioner. The frequency of the pulsations is not steady, but “sweeps” up and down, from 0.3 to 30 Hz (cycles per second), with most of the activity in the range of 7-8 Hz (Figure 2). The biomagnetic pulsations from the hands are in the same frequency range as brain waves and scientific studies of the frequencies necessary for healing indicate that they naturally sweep back and forth through the full range of therapeutic frequencies, thus being able to stimulate healing in any part of the body.
Confirmation of Zimmerman’s findings came in 1992, when Seto and colleagues, in Japan, studied practitioners of various martial arts and other healing methods. The “Qi emission” from the hands is so strong that they can be detected with a simple magnetometer consisting of two coils, of 80,000 turns of wire. Since then, a number of studies of QiGong practitioners have extended these investigations to the sound, light, and thermal fields emitted by healers. What is particularly interesting is that the pulsation frequency varies from moment to moment. Moreover, medical researchers developing pulsating magnetic field therapies are finding that these same frequencies are effective for ‘ jump starting’ healing in a variety of soft and hard tissues, even in patients unhealed for as long as 40 years. Specific frequencies stimulate the growth of nerves, bones, skin, capillaries, and ligaments. Of course Reiki practitioners and their patients have daily experiences of the healing process being “jump started,” and academic medicine is now beginning to accept this therapy as logical and beneficial because of these new scientific findings. In Figure 2 we have bracketed portions of the signal that correspond to the frequencies used in medical devices that stimulate the healing of particular tissues. Individual differences in energy projection and detection.
It is not widely understood that “brain waves” are not confined to the brain, but actually spread throughout the body via the perineural system, the connective tissue sheathes surrounding all of the nerves. Dr. Robert O. Becker has described how this system, more than any other, regulates injury repair processes throughout the body. Hence the entire nervous system acts as an “antenna” for projecting the biomagnetic pulsations that begin in the brain, specifically in the thalamus.
Moreover, waves that begin as relatively weak pulsations in the brain appear to gather strength as they flow along the peripheral nerves and into the hands. The mechanism of this amplification probably involves the perineural system and the other connective tissue systems, such as the fascia that are intimately associated with it.
After centuries of neglect, energetic therapies can take their appropriate place in clinical medicine. Perhaps now we can finally rediscover and continue the evolutionary work our ancestors begun many thousands of years ago. And with the wonderful advances and knowledge we now possess thanks to science we can integrate this with existing and ancient wisdom.
In the next article in our series on The Human Bio-Energy field, we will discuss in greater detail the auric layers and the Bio-energy field in greater detail.
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We started to create using old school video overdubing, and sound layering in 1 minute video format for our Instagram page – and by request we have begun to upload them as we make them to our YouTube channel. So stay tuned for fresh transmissions 🙂 Also we will begin to do some proper full length healing pieces for meditation and relaxation. They are all improvised and the sounds are played live with no looping. We have a lot of fun with these and we hope you enjoy the vibes !